TODAS AS HISTÓRIAS: CINEMA, LITERATURA E PENSAMENTO EM GODARD

Resumo

ABSTRACT – This text analyzes, with the intention of fomenting the theoretical frictions among the literature, the movies and the history, the filmdocumentary Histoire(s) du cinéma , from Jean LuGodard. It tries to study the hybridism conceptual from the french moviemaker's historiographical project, that founded in the critic to the origin notions, tradition, influence and continuity, crosses the movies history with the 20 century history. In this perspective, it evaluates the movies relationship with the power, in other words, with the forces that they operate in the sense relationship among the signs and define the effective models of images production, texts, sounds and movements into the modernity.