Luiz Edmundo Bouças Coutinho (UFRJ)


ABSTRACT – This article presents the aesthetic onslaughts assumed by the Decadence in the XX century, showing how the collector articulated a ritualism from the objects, adjusting them to the theatricalize fancies that builds the scenography of the intimate space with accentuation of artifices where the illustrations of the art by the art enrolls the interior of the dwelling as a greenhouse, qualified to protect the ornamental expedients validitied by the parameters with that the form only can transform a product into art work. Sample still as the performances of the collector provides space transfigurations proceeding from a drunkeness of directions, conspired for the ostentation of the taste and the ideas from almost all the practitioners of the aesthetic decadent.

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ISSN: 1807-8591

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